Kay was guest artist at Guldagergaard Woodfiring Symposium in 2019. She used the opportunity to create Ceramic Wallpaper: Peonies for her Ceramic House curatorial project

A Photo Essay Within the book Perfection of Understanding Part of Interbeing, The Ceramic House Published by Independent Publishing Network 2022 Silk Roads and Floral

Fire and Water is a continuation of Kay Aplin’s investigation into micro-flora which has been the focus of her practice since 2013 and builds on

Pavilion was an installation created for Made in Korea, a UK-Korea ceramics and sound project evolving throughout 2017 in Brighton, London, Stoke-on-Trent and Seoul curated

Botanical Structures was developed at Guldagergaard International Ceramic Research Centre in Denmark in 2013 and was a response to the Danish summer landscape. It was the

Shetland Museum & Archives In August 2015, Kay Aplin and Joseph Young spent a month in residence at Scalloway Booth, exploring the islands and documenting